HISTORY

Lectrolab was the primary brand name for amplifiers made by Sound Projects Company  in Chicago Illinois, Cicero Illinois and/or Venice Florida.  For the purposes of this website, “Lectrolab” and “Sound Projects Company” can be used interchangeably.  Identical amps have been found with both names on them, and many Lectrolab  amps have a Sound Projects Co. logo as well.

See cool 1960′s catalog advertising here: Branding and Andvertising

Sound Projects Company began making electric musical instruments and amplifiers in the 1930′s at the latest.  We do not know when the business began.  The earliest evidence of their existence is:

  • A few Sound Projects Co. Troubadour lap steels which have similarities to the well-known Rickenbacker “Frying Pan”.  The shiny tail plate says “Sound Projects Company/Chicago, Illinois”.  “Troubadour” is inked on the front under the strings. Lap steel collector Robert Lurvey estimates this guitar as “probably mid-thirties, maybe late-thirties” in this video.

 

  • The Troubadour Lap Steel was sold with a matching amplifier, also marked “Troubadour”.  This sad example is the only one found to date, and almost certainly is from the mid-1930′s:
  • The bad boy below was found in a barn, and is probably the oldest amp with the Lectrolab brand you will find on this website, or anywhere else.  Probably built in the 1940′s, maybe earlier.

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Lectrolab/Sound Projects produced a wide range of amplifiers over the years.  Twenty-four amplifier models have been identified as of this writing, and there are surely more.  The amps range from 3 watt combos with a 6” speaker and one volume control, to 25 watt heads with two channels, reverb, tremolo, and matching 2 x 12” speaker cabinets.  See a summary of these on the AMP MODELS page.  Lectrolab also made a Fuzz pedal, PA cabinets, and guitar or steel pickups, there are photos of those items on this site.

Lectrolab produced products that were attractively priced.  They were sold to consumers through department store mail order catalogs. This site displays example catalog pages from the Aldens catalog and the Bennet Brothers Blue Book of Quality catalog.  They may have been sold within department stores (Aldens operated stores), and/or music stores, but there is no information yet to support this.

The people who started, owned, and managed the Sound Projects/Lectrolab business are unknown.  1960-era amps often have handwritten initials inside the chassis, probably from an assembler or inspector.  This is as close as we’ve come to knowing the people affiliated with the company!

Lectrolab amps are typically labeled with the location of the company on the control panel, usually Chicago, Il. or Cicero, Il.  Cicero is a suburb of Chicago.  At one point in its history Chicago “annexed” part of Cicero, so Lectrolab may have changed their address but not their location!  Sometime in the mid to late 1960’s, Lectrolab amps began to display both Chicago IL and Venice FL on their labeling. Nothing else is known about this additional location.  Perhaps they outsourced some production to a company in Venice, or opened a facility there. 

After their beginning in the 1930′s or 1940′s Lectrolab made amps up to and into the 1960’s, but it is unlikely they survived beyond that decade.

It is probable that transistors and the rise of Japan Inc. killed the Lectrolab.  Before 1965 transistor musical instrument amps were rare.  By the end of the 1960’s transistor amps dominated the guitar amp market, especially at the lower price points.  Even Fender was making transistor amps.  There was one reason for this: Cost.  Transistor amps used lower cost materials than tube amps, weighed significantly less and were thus cheaper to ship.   Also, by the mid 1960’s Japanese companies which had honed their solid-state production skills on transistor radios were able to take advantage if that experience, leveraging lower labor cost and improved business processes.  Not incidentally, they had also created distribution channels into the United States.  Many smaller American tube amp manufacturers went down in this “Teisco Tsunami” which reshaped the American musical instrument business landscape.  Lectrolab was probably one of the casualties.  Too bad Detroit didn’t notice…

In recent years, someone in the Midwest attempted to market and manufacture reissues of a few Lectrolab amp models.  That endeavor ended in litigation with customers, and the shuttering of the business.  There is currently a company called Sound Projects located in the Netherlands which has no connection to the American company discussed here.

7 Responses to HISTORY

  1. john says:

    i have an orig 1930′s troubadour with same pickup. its an original f hole archtop… got pics if you want to see… first time i’ve ever seen anouther guitar(lapsteel) with this pickup. do you know how it works? thanks! john~~~

  2. Thomas Drasiewski says:

    How could I contact Robert Lurvey?I have one of the Troubadour Lap Steels but it has wireing issues. Would like to ask him some questions.
    Thanks,
    TJD

    • alexage1 says:

      I’ve never contacted him, nor have contact data. If you send your questions to me, and photos of the wiring I will post them on the Troubadour Lap Steel page and you may get some answers. Use “Contact Me” at the upper right of each page to send an email.

      George

  3. Mat LeClair says:

    hi there, i own a few harmony H300 series amps and i noiced ythat some of the Lectrolab models are eerily similar to them.

    everything from the shape, to the location in which it was made.. the features.. the speaker etc etc. it’s like the design was sold to two different companies of the design was patented by a certain engineer and he worked at both places?

    like the R500 and the H305A – the only difference is the color, names on them and the knobs.

    • alexage1 says:

      Thanks for your comment! We have fairly definitive evidence that the Lectrolab R600B = Harmony H-306A, and that the Lectrolab R500B = Harmony H-305A . See the R500 and R600 pages of this site for more info about that. Do you know of Harmony models other than the H305A or H306A that look like Lectrolabs? If so, please let us know the specific models.

      Thank you,

      George

    • Patty C. says:

      Mat Leclair:

      I work at the public library in Cicero, IL, where Lectrolabs was once located. We are researching a reference question about the company and we came across this site. I am curious where you got the amps you have, I am going to guess you got them from a family member since our historical records indicate the president of the company was named Mervin Leclair. Maybe he is your grandfather or uncle or distant cousin? Can you shed any light on this?

      Patricia C.
      Cicero Public Library

  4. Mat LeClair says:

    well the H303.. not to be confused with the H303A.. looks alot like the R200… when it comes to size and where the inputs are and how many. the h303 was a tad bit smaller then the h303a, tho the speaker was still an 8″ jensen. it also had only two inputs like i was saying and it had a slightly different tube lineup then the h303a.

    the only real difference visually is that the R200 has a tone knob. and theirs one extra tube too.. probably for that tone circuit.

    and the R204 seems almost the same as the H400. it’s got hte same box! hahaha.

    the R400 looks very similar to the H304a. also if you take a look at the schematic, it looks very close to the same thing, but the R400 seems to be a more efficient design. like if it was redone and refined. also the tube lineup is different. but i find the fact that the way the schematic is laid out is more interesting because everything is practically in the same place.

    http://www.webphix.com/schematic%20heaven/www.schematicheaven.com/bargainbin/harmony_h304a.pdf

    undoubtedly the individual that made the original R series Lectrolab amplifiers and the Harmony 300 series was the same person, or had worked at both places. they’re both in chicago after all. but since the lectrolab amps have evidence of being refined, it gives me the idea that they were made after, maybe during the production of the H400 series of harmony amplifiers.

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